Before the advent of sound, films were devoid of dialogs and diegesis as modern history painstakingly moved along. Intertitles were inserted long before they were followed as conventions. At most, every aspect of modern day inventions would become a learning journey toward the development of world cinema. In fact, in the earlier years, films from the post-invention had been far more superior than their more technologically equipped successors (Arnheim, 1932). They could be true in essence because of their inherent qualities and characteristics to fill what wasn’t there yet. There simply was more time and less impact of ascendancy to allow creating more spaces for expansive projects.
British filmmaker and actor, Charles Chaplin caught on earlier with the power of the language of film. Story becomes king and execution is everything. And in the more profound method of analyzing films, structural-linguistic theory is by its essence a more substantial philosophy to deliberate and consider. And by understanding the very foundation of film history and its nuclear core, there may be a conceivable inference to achieving a sort of objectivity in studying every element that a film presents as a whole. Quite possibly, even if one or two components is missing, its effectiveness rests mostly on whether its desired effects reach it audience. A film may be subjectively incomplete, but it will always be inimitably a creation of its own.
When one chooses to do away with conventions, a film remains a product of its reckoning when it strongly infuses creative visions and informed commentaries about life and the society and the entire human experience, regardless of what is perceived missing, or what elements are not supplied. When one decides to confront realities and their concealed meanings, the film is transformed into an interactive platform where the filmmaker and the audience carve out a better way to ponder on recreating ideas and retooling the mediums, henceforward, effectively orchestrating a well-rounded discourse in the process.
Films have now reached its highpoint – from magnetic and digital sounds, to visual and digital effects, to actually experiencing them wherever it is accessible and convenient. Even the age of modern pandemic cannot simply stifle their sustained growth – and films have become, more than ever, a powerful tool to live through documenting a much well-lived experience.
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