Although the pandemic remains to be a threat anywhere in the world, most particularly to countries such as ours, with erratic government practices in mitigating any crises, its film media arm, Film Development Council of the Philippines is pushing through the 4th Pista ng Pelikulang Pilipino (PPP) with its all-new online edition, and according to the agency is a response to the restrictions on the operations of cinemas given the current situation. The films can be watched on their film channel: www.fdcpchannel.ph
More than 100 films will be screened for one week. Liza Dino Seguerra flashily reported that in the last three years, the PPP has showcased 37 full-length feature films to more than 2.5 million audiences, which grossed over P420 million. Dino Seguerra, a former bit actress, proudly declared that the festival’s well-received top grossers are “100 Tula Para kay Stella” (2017) and “The Day After Valentine’s” (2018) both by the contentiously fluff filmmaker Jason Paul Laxamana, and “The Panti Sisters” (2019) by Jun Robles Lana. Some PPP films have been chosen as the country’s representative to the Academy Awards which include “Birdshot” by Mikhail Red in 2017, “Signal Rock” by Chito Roño in 2018, and “Verdict” by Raymund Ribay Gutierrez in 2019.
Accordingly, PPP will also feature Sine Kabataan short features from young filmmakers which focus on societal themes that in reality the present government fails to address.
“We certainly had high hopes and grand plans this year for PPP 4, especially since it would have coincided with the closing of the Philippine Cinema Centennial celebration. Although cinemas remain closed and there are no press conferences, premiere nights, PPP Grand FanCon, and block screenings, we at the FDCP still resolved to push through with the PPP no matter what. Tuloy na tuloy ang Pista!,” Dino Seguerra indicated in her press statement.
Amid the pandemic, the national film agency wishes to showcase the diversity of our local films. And as the country officially closed the celebration of One Hundred Years of Philippine Cinema in September, the FDCP aims for the PPP to be the platform to gather the entire film industry together as it looks to the future of the next hundred years.
Aptly dubbed “PPP 4, Sama All!” the festival will recycle 145 titles (67 full-length films and 78 shorts) films previously screened in other local film festivals such as the Cinemalaya Philippine Independent Film Festival, QCinema International Film Festival, Cinema One Originals Film Festival, Sinag Maynila Film Festival, CineFilipino Film Festival, ToFarm Film Festival, and Metro Manila Film Festival. Films from CineMarya Women’s Film Festival will also be re-screened.
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